5/6/1965 – ‘First screening of “Time Piece” – Museum of Modern Art’

During 1964 and ‘65, Jim’s calendar was (as usual) really full. He was making regular appearances on The Jimmy Dean Show and traveling with the country singer to live performances around the country. The Muppets’ commercial work was extensive, hawking products from Toronto to Puerto Rico, and ranging from eight-second spots to 30 and 60 second spots and longer industrial sales films. The Henson family was growing with the birth of Jim and Jane’s fourth child, he and Jerry Juhl continued to try to develop a fairy tale long-form television special or series, and Jim’s characters were popular visitors to TV variety shows. Jim also managed to find time for his forays into experimental filmmaking.

Jim took advantage of The Jimmy Dean Show’s summer hiatus to start production on his ambitious short, Time Piece. This 9-minute live action film was shot from a storyboard Jim had produced with no dialogue, featuring a man in various abstract situations running from time. He gathered his production team together which included Jerry Juhl, Don Sahlin, Frank Oz, his secretary Carroll Conroy (who would do costumes and make up) and a young producer borrowed from Dean, Diana Birkenfield.

Half the fun of filming Time Piece was tracking down the right location and finding a time to shoot there. Jim’s small crew could work only when the locations would be clear, often without permits. Frank Oz remembers, “We didn’t shoot in the middle of the day; we shot early in the morning…early on a Sunday. We just got the shot and got out!”

Street Scenes: 53rd Street and Second Avenue, NYC
Broad and Beaver Streets, NYC
Wall and William Streets, NYC
Office Scene: The Seagram Building, Fourth Floor, NYC
Factory Scene: American Can Company, Canco Factory
Suburban Scene: The Townly Family home, West Patterson, NJ
Pool Scene: Hayes Park East Pool, Newark, NJ
Carpenter Scene: Palisades Interstate Park, Alpine Lookout, NJ
Prison Scene: Greenwich Library Parking Lot, CT
Outdoor Scene: Shot from the Belvedere Tower, Central Park, NYC
Indoor Scenes: Ted Nemeth Studios, NYC

They spent the bulk of the summer of 1964 working on the film and continued over nights and weekends to get the additional shots, the music track, editing and credits done. Jim was ready to show it to his friends and family a year later with a private screening at the Museum of Modern Art.

On location for Time Piece, (l. to r.) Frank Oz, Jim Henson, Jerry Juhl, Don Sahlin.

Page from Jim’s sound editing notebook for Time Piece, 1965.

Read more from Jim Henson’s Red Book in Imagination Illustrated: The Jim Henson Journal available from Chronicle Books.

Topics: 05-May '65, 1965, Appearances, Time Piece | Tagged , , , , , ,
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5/-/1964 – ‘Began Time Piece.’

Topics: 05-May '64, 1964, Time Piece |
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5/9/1980 – ‘Joe Raposo and Anita Mann come over for meeting on ‘Caper’.’

For the second Muppet movie and Jim’s first feature film directing effort, The Great Muppet Caper, he pulled out all the stops. He knew what worked on the big screen from his first film and having done production in the UK over the previous years on The Muppet Show, he had a great sense for local behind-the-scenes contributors. He didn’t let an ocean get in the way, though, and brought together a team that represented the most talented people he knew from both shores. He had worked with Sesame Street composer Joe Raposo on various projects during the previous fifteen years and was excited to have him provide what turned out to be Academy Award nominated songs for the film. And with the extravagant production numbers planned for Caper, he asked experience television pro Anita Mann to do the choreography. Jim had probably met Mann when he did Cher’s variety show in 1975, and she was nominated for an Emmy for her work for Jim on The Muppets Go Hollywood in 1979. The Caper dance numbers would be a challenge as they included formal night club productions numbers, water ballet and puppets!

Learn more about the extravagant water ballet in The Great Muppet Caper
and about Joe Raposo’s work with Jim and his contributions to the film.

Miss Piggy in an extravagant dance number in The Great Muppet Caper, 1981.

Jim’s notes for what should be included in his ambitious second feature, The Great Muppet Caper, c. 1980.

Topics: 05-May '80, 1980, Great Muppet Caper | Tagged , , , ,
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5/8/1979 – ‘Shields and Yarnell (MS)’

Jim’s appreciation for all types of performance was wide-ranging and included a variety of puppetry, dance, and innovative body movement work. It’s not surprising that for the fourth season of The Muppet Show, Jim included the renowned mime artists, Shields & Yarnell (Robert & Lorene), on the guest star roster. Their performance mimicking robots’ machine-like movements nicely countered Jim’s effort to have his man-made characters move in a natural, realistic fashion. While some guest stars didn’t quite fit in the show and were relegated to some backstage conversation and perhaps one musical number, Shields & Yarnell were clearly right at home in the Muppet theater and did an array of presentations – along with a robot breakfast, they did a bit in a western saloon, animal impressions, and had interactions with Scooter and Gonzo. Fozzie, terrifically hopeless as a mime, provided plenty of fodder for Statler and Waldorf’s heckling. Appropriately, this episode is the source of their classic exchange clearly illustrating their relationship with the show:

Waldorf: “Just when you think the show is terrible, something wonderful happens.”
Statler: “What?”
Waldorf: “It ends.”

Shields & Yarnell on The Muppet Show, 1979.

Read more from Jim Henson’s Red Book in Imagination Illustrated: The Jim Henson Journal available from Chronicle Books.

Topics: 05-May '79, 1979, Muppet Show | Tagged ,
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5/3-8/1966 – ‘In Anaheim with Jimmy Dean’

Topics: 05-May '66, 1966 | Tagged
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